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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Monument to Mrs. Moore St. Luke’s Church, Liverpool, Sydney

Waterloo and Mrs. Moore

About Face article

Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.

Hugh 2015, by Warwick Baker

Friends

About Face article

Warwick Baker’s photos of his friends are intimate. They hold a stillness that allows their subjects to be at ease.

The eye and the heart

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Nici Cumpston immerses herself in the collective vision of the National Photographic Portrait Prize 2020.

William Robertson

200 Years of Portraiture

About Face article

To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.

Gotta catch 'em all

About Face article

Angus Trumble grabs his life jacket and rides the Pokémon GO tsunami.

Hell's mouth, 2019 Cam Neville

Facing the inferno

About Face article

Tara James speaks to Cam Neville about his portrait series, Firefighters.

Grateful admiration and brotherly love

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In the earliest stages of the Great War, the Royal Pavilion in Brighton was turned into a military hospital, and arrangements made there to accommodate the different dietary and other requirements of Hindu, Sikh and Muslim patients.

Self-portrait with guardian spirits, 2009-2010 Kate Beynon

Kate Beynon’s transcultural life and art

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Phoebe Lupton profiles artist Kate Beynon, whose contemplative self portrait features in Archie 100: A Century of the Archibald Prize.

Photograph from Eye to I series, 2022 David Lindesay

A portrait of the artist by the artist

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Rowan McGinness asks: when is a self portrait not a self portrait?

Ngalim-Ngalimbooroo Ngagenybe

Storied portrait

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Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.

Dr Alison Inglis, AM, 2023 Dena Kahan

School portraits

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Inga Walton sheds light on a portraiture collection usually only seen by students and teachers at Melbourne University.

Installation of ‘Face to Face: The New Normal’ at Wagga Wagga Regional Gallery, 2021 Vic McEwan

Facing the feeling

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Penelope Grist explores the interplay between medicine and portraiture in Vic McEwan’s Face to Face: The New Normal.

Mural of Italian/Roman actress Anna Magnani (1908­–1973) with face mask, April 2020 Unknown artist

Of plague and portraits

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Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.

Group photograph taken at the coronation of King George VI including Queen Elizabeth II, Duke and Duchess of Gloucester and the Queen Mother, 12 May 1937 by Hay Wrightson

Poise and Carats

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I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.

Surfing, Noosa, 1970s Stuart Spence

The play’s the thing

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Penelope Grist charts an immersive path through Stuart Spence’s photography.

The stately lotus

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I spent much of my summer holiday at D’Omah, on the outskirts of Yogyakarta. Lotus and waterlilies sprout in extraordinary profusion in artful ponds amid palms and deep scarlet ginger flowers.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency